Tutorials

 First crit:

NAME & DATE	Anna Okroyan 07/10/2014	YEAR GROUP	Year 3
STUDIO TUTOR:	John Ressell
What did you discuss?	My potential ideas fro the next piece. I had 2 ways 2 go, either 2 stay on the wall or make something 3D as my woollen squares “have the potation 2 be 3D and are stackable”
What was the advice?	2 Look at Liam Gillick art n see if it inspirited
What training or skills acquisition was suggested?	2 experiment with material
Aims for next tutorial/crit?
Staff feedback or comments on your notes of the tutorial

 Second Crit:

NAME & DATE	Anna Okroayn 31/10/2014	YEAR GROUP	Year 3
STUDIO TUTOR:	John Russell
What did you discuss?	The idea of exploring performance in my art work
What was the advice?	To see that I can possibly do with the wool and how I can manipulate it in the performance
What training or skills acquisition was suggested?	Seeing if I can bring in the cosplay aspects in to my own work
Aims for next tutorial/crit?	Research in to the ideas that I can explore ( I had idea of looking in to folk art)
Staff feedback or comments on your notes of the tutorial

Third Crit

NAME & DATE	Anna Okroayn 15/01/2015	YEAR GROUP	Year 3
STUDIO TUTOR:	John Russell
What did you discuss?	Making my performances more exciting and exploring the idea of a set or bigger objects in my performance. Along that figure out how appropriately to finish the performance
What was the advice?	Look in to haitee voodoo and other cultures. Along that see if I can bring the idea of repetition and the idea of a routine in to my performances.
What training or skills acquisition was suggested?
Aims for next tutorial/crit?	Next crit after the exhibition seeing what how I can bring the choreography together with the set
Staff feedback or comments on your notes of the tutorial

 

Forth crit:

NAME & DATE	Anna Okroayn 20/03/2015 ?	YEAR GROUP	Year 3
STUDIO TUTOR:	John Russell
What did you discuss?	The idea of looking at criminal tattoos (russianand yakuza in to my work)Thinking of having an ongoing performance and the logistics of it
What was the advice?	Look how I can be almost a part of the set and what am I trying to be. Less dance. (thinking of slower choreography) See how turning myself in to a tattooed individual objectifies me. Also look in to man tattoos on women and what effect will that have
What training or skills acquisition was suggested?
Aims for next tutorial/crit?	N/A
Staff feedback or comments on your notes of the tutorial